By William H. Gass
The enormously widespread essayist, novelist, and thinker, writer of Cartesian Sonata, Finding a Form, and The Tunnel, displays at the paintings of translation and on Rainer Maria Rilke's Duino Elegies -- and offers us his personal translation of Rilke's masterwork.
After approximately a life of studying Rilke in English, William Gass undertook the duty of translating Rilke's writing as a way to see if he might, in that means, catch up with to the paintings he so deeply in demand. With Gass's personal heritage in philosophy, it appeared average to start with the Duino Elegies, the poems within which Rilke's rules are such a lot totally expressed and which as a gaggle are vital not just as one of many best poetic achievements of the West but in addition due to the approach during which they got here to be written -- in a typhoon of suggestion.
Gass examines the genesis of the information that tell the Elegies and discusses earlier translations. He writes, to boot, approximately Rilke the fellow: his personality, his relationships, his lifestyles.
Finally, his notable translation of the Duino Elegies bargains us the event of studying Rilke with a brand new and fuller knowing.
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Additional resources for Reading Rilke: Reflections on the Problems of Translation
Dream-inhabited eyes. The forehead as though feeling a sense distant. A clean rainy ring round the mouth: smileless but seductive. And underneath the ropes of decorative braid, at the narrow imperial uniform, either arms leisure evenly within the cup which encloses the saber’s hilt, a clasp now approximately invisible, as though the space they have been first to know had dissolved them. And all of the relaxation so self-contained, and teetering like a most sensible, as though we didn’t comprehend that deep in its personal depths it disappears. O fast-fading picture, held right here in my slowly fading hand. four ailment grew to become René’s first occupation. It introduced his mom to his part, specifically very important to him while Josef left the loved ones. The family … the place fingers are held and hearts are consoled. child, Kitchen, Kirk, Koffee during which to dip a Kookie: they upload as much as Komfort. this can be love, Rilke is told—and aren’t all of us instructed? —take a glance: listed here are dad and mom being great to each other, changing presents, adoring their furnishings, their pets, their baby; here's a faintly smiling madonna, and there a stern saint, and now a clergyman, to whom one is unfailingly well mannered, subsequent a nurse, a chum, a puppy whose tail wags; yet on most sensible of what we're instructed, like a chilly hand, quickly rests what we see and suppose and at last be aware of: the mum who selections us up and places us down as she could just a little knitting; the cheerful union that components, maybe like rainy paper, and not using a sound, in entrance of our anxious eyes; the cat who sings its intercourse within the evening and runs away; these saints who swallow simply candle smoke and say not anything; the puppy whose devotions knock us over or soiled our pants; or the priest, with a compelled heat heating his polished face, who twists the arm of an unruly acolyte as the boy doesn’t dare yelp throughout the provider; the nurse who says “good evening, sleep tight” over the ultimate latches of her touring baggage; and at last these pals … these buddies who pass scornfully away to play with young children who've known as us dreadful names: which layer is the layer of affection? is it in basic terms made up of words—that kiss referred to as “lip service,” that caress known as “shake hands,” that welcome that sounds like “good-bye”? in the course of formative years, contradiction paves each road of feeling, and we develop up in bewilderment like a chook in a ballroom, with all that house and none intended for flying, a large shining flooring and nowhere to mild. So out of the lies and confusions of each day the kid constructs how to cope, a part of for you to contain a common demeanour of being in, and making, love. therefore from the distinction among the legitimate language of affection and the unofficial proof of lifestyles is born a dream of what this ache, this ardour, this obsession, this trust, this relation, must be. Rilke finally discovered what he suggestion it was once, simply because, whilst he sought a mom in his mistress rather than a mistress, leaning, as one into the wind, on Lou Salomé’s spirit, she eventually despatched him off into the area again—out of her schoolroom, mattress, and maternal hug—on account of his expanding dependency, she acknowledged, out of her want for freedom to boost, as a result of her comparable desire on her half for Rilke and his artwork; and even if he didn't understand it unexpectedly, he could come to appreciate how we continually recreation to check that ideology of romantic love we’ve been taught with the disheartening fact of its perform.